{"title":"Art","description":"\u003cp\u003eWorks on paper, paintings, and prints by the defining figures of postwar California art, including the Light and Space movement and the Ferus Gallery generation.\u003c\/p\u003e","products":[{"product_id":"peter-alexander-flower-1999","title":"Peter Alexander — FLOWER, 1999","description":"\u003ch2\u003ePeter Alexander (1939–2020)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eFLOWER\u003c\/em\u003e, 1999\u003cbr\u003eColor digital print on synthetic fiber\u003cbr\u003e24 × 26¾ inches\u003cbr\u003eEdition 1\/20\u003cbr\u003eSigned, dated, and numbered in ink on verso\u003c\/p\u003e\u003ch3\u003eAbout the Work\u003c\/h3\u003e\u003cp\u003eA rare signed and numbered limited edition color digital print by Peter Alexander, one of the most celebrated figures of the California Light and Space movement. Numbered 1\/20, this vibrant work exemplifies Alexander's mastery of color and light — qualities central to his celebrated career spanning resin sculpture, painting, lithography, and photography.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eLine scuff lower center, otherwise in good condition.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003ePrivate collection; acquired directly from Peter Alexander's longtime personal attorney.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003eBorn in Los Angeles, Peter Alexander (1939–2020) became a leading figure in the California Light and Space and Finish Fetish movements. His work has been exhibited internationally at LACMA, MoMA (New York), SFMoMA, and the Centre Pompidou, and is held in major collections including the Metropolitan Museum of Art, the Getty Museum, and the Walker Art Center.\u003c\/p\u003e","brand":"Peter Alexander","offers":[{"title":"Default Title","offer_id":53224332231023,"sku":"PA-FLOWER-1999-1-20","price":11000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/H0344-L408995190_original-2.jpg?v=1784574804"},{"product_id":"peter-alexander-lax-peyden-1992","title":"Peter Alexander — LAX Peyden, 1992","description":"\u003ch2\u003ePeter Alexander (1939–2020)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eLAX Peyden\u003c\/em\u003e, 1992 (signed and dated 1993)\u003cbr\u003ePastel on paper\u003cbr\u003eSight: 8 × 9 inches\u003cbr\u003eFramed: 14 × 15½ inches\u003cbr\u003eSigned lower right, dated 1993\u003c\/p\u003e\u003ch3\u003eAbout the Work\u003c\/h3\u003e\u003cp\u003eVibrant and atmospheric, \u003cem\u003eLAX Peyden\u003c\/em\u003e captures the luminous haze of Los Angeles as seen on approach to LAX — a view that distills everything Alexander loved about Southern California light. Moody, minimal, and unmistakably West Coast, this pastel exemplifies his mastery of atmosphere and color. A strong collector's piece with exceptional presence.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eExcellent; professionally framed.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eAcquired from a New Orleans gallery exhibition; original gallery label included.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003eBorn in Los Angeles, Peter Alexander (1939–2020) became a leading figure in the California Light and Space and Finish Fetish movements. Celebrated for his luminous resin sculptures and evocative cityscapes of Los Angeles, his work has been exhibited internationally at LACMA, MoMA (New York), SFMoMA, and the Centre Pompidou, and is held in major collections including the Metropolitan Museum of Art, the Getty Museum, and the Walker Art Center.\u003c\/p\u003e","brand":"Peter Alexander","offers":[{"title":"Default Title","offer_id":53224337015151,"sku":"PA-LAX-PEYDEN-1992","price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-17.png?v=1784399344"},{"product_id":"peter-alexander-monument-valley-1972-b-a-t-impression","title":"Peter Alexander — Monument Valley, 1972 (B.A.T. Impression)","description":"\u003ch2\u003ePeter Alexander (1939–2020)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMonument Valley\u003c\/em\u003e, 1972\u003cbr\u003eFive-color lithograph printed in three runs from three aluminum plates on Kromekote paper\u003cbr\u003eImage\/Sheet: 11⅛ × 13¼ inches\u003cbr\u003eBon à Tirer (B.A.T.) impression\u003cbr\u003ePublished by Cirrus Editions, Los Angeles\u003cbr\u003eSigned, titled, and inscribed “B.A.T.” in pencil, verso\u003cbr\u003eCirrus Editions blindstamp and pencil work number 77C-PA72\u003c\/p\u003e\u003ch3\u003eAbout This Impression\u003c\/h3\u003e\u003cp\u003eThis exceptional impression is designated \u003cem\u003eBon à Tirer\u003c\/em\u003e (B.A.T.) — the printer’s approved proof against which the entire edition was judged during production. B.A.T. impressions are produced in extremely limited numbers and are generally considered among the most desirable impressions associated with any edition, often retained by the artist, printer, or publisher. This example bears Alexander’s pencil signature, title, and B.A.T. inscription on the verso, along with the Cirrus Editions blindstamp and pencil work number 77C-PA72.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eFrom the personal collection of \u003cstrong\u003eJean Milant\u003c\/strong\u003e, founder of Cirrus Editions, Los Angeles — one of the most influential master printers and publishers in contemporary American art. Works with direct Cirrus and Milant provenance are increasingly sought after by collectors of California postwar art.\u003c\/p\u003e\u003ch3\u003eLiterature\u003c\/h3\u003e\u003cp\u003eBruce Davis, \u003cem\u003eMade in L.A.: The Prints of Cirrus Editions\u003c\/em\u003e, Los Angeles County Museum of Art, 1995, p. 160, another example illustrated.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall excellent appearance. Full sheet. Unmatted and loose. Please review all photographs carefully as they form part of the condition description.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003ePeter Alexander (1939–2020) was a founding figure of the California Light and Space movement. His pioneering investigations into light, atmosphere, color, and perception helped define Southern California’s postwar artistic identity. His work is held in the collections of LACMA, MoMA, SFMoMA, the Whitney Museum of American Art, and numerous other major institutions.\u003c\/p\u003e\u003cp\u003e\u003cem\u003ePlease note: similar lithographs from the same series are also available. Inquiries welcome.\u003c\/em\u003e\u003c\/p\u003e","brand":"Peter Alexander","offers":[{"title":"Default Title","offer_id":53224337998191,"sku":"PA-MONUMENT-VALLEY-1972-BAT","price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-17.jpg?v=1784399497"},{"product_id":"peter-alexander-golden-arches-1972-b-a-t-impression","title":"Peter Alexander - Golden Arches, 1972 (B.A.T. Impression)","description":"\u003ch2\u003ePeter Alexander (American, 1939-2020)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eGolden Arches\u003c\/em\u003e, 1972\u003cbr\u003eFive-color lithograph printed in three runs from three aluminum plates on Kromekote paper\u003cbr\u003eImage\/Sheet: 11 1\/8 x 13 1\/8 inches\u003cbr\u003eBon a Tirer (B.A.T.) impression, aside from Cirrus proofs, Artist's Proofs, Printer's Proofs, and the numbered edition of 79\u003cbr\u003ePublished by Cirrus Editions, Los Angeles\u003cbr\u003eSigned, titled, and inscribed B.A.T. in pencil, verso\u003cbr\u003eCirrus Editions blindstamp lower left; pencil work number 78C-PA72, verso\u003c\/p\u003e\u003ch3\u003eAbout the Work\u003c\/h3\u003e\u003cp\u003e\u003cem\u003eGolden Arches\u003c\/em\u003e transforms an everyday American visual motif into an ethereal meditation on light, atmosphere, memory, and perception. Rendered in luminous layers of pink, orange, gold, and radiant color fields, the image appears suspended between landscape, television imagery, and pure abstraction. Printed on Kromekote paper chosen specifically to enhance the work's glowing, almost electronic visual effect, the lithograph possesses a remarkable sense of depth and illumination that echoes Alexander's celebrated cast-resin sculptures.\u003c\/p\u003e\u003ch3\u003eAbout the B.A.T. Impression\u003c\/h3\u003e\u003cp\u003eIn traditional printmaking practice, the Bon a Tirer (B.A.T.) serves as the master approval print retained by the printer and artist as the definitive example against which the edition is judged. Such impressions are considerably scarcer than standard numbered editions and are among the most desirable impressions associated with any print.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eFrom the personal collection of \u003cstrong\u003eJean Milant\u003c\/strong\u003e, founder of Cirrus Editions, Los Angeles - one of the most influential figures in American contemporary printmaking.\u003c\/p\u003e\u003ch3\u003eLiterature\u003c\/h3\u003e\u003cp\u003eBruce Davis, \u003cem\u003eMade in L.A.: The Prints of Cirrus Editions\u003c\/em\u003e, Los Angeles County Museum of Art, 1995, p. 161, another example illustrated.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall excellent appearance. Full sheet, unframed. A few minor surface hairline scuffs, primarily within the black area near the left sheet edge, visible mainly under raking light. Presents beautifully.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003ePeter Alexander (1939-2020) was a founding figure of the California Light and Space movement. His work is held in the collections of MoMA, the Whitney Museum of American Art, LACMA, SFMoMA, the National Gallery of Art, the Norton Simon Museum, and numerous other major international institutions.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSimilar lithographs from the same series are also available. Inquiries welcome.\u003c\/em\u003e\u003c\/p\u003e","brand":"Peter Alexander","offers":[{"title":"Default Title","offer_id":53224338653551,"sku":"PA-GOLDEN-ARCHES-1972-BAT","price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-22.jpg?v=1784399624"},{"product_id":"peter-alexander-anacin-i-1972-b-a-t-impression","title":"Peter Alexander - Anacin I, 1972 (B.A.T. Impression)","description":"\u003ch2\u003ePeter Alexander (American, 1939-2020)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eAnacin I\u003c\/em\u003e, 1972\u003cbr\u003eFive-color lithograph printed in three runs from three aluminum plates on Kromekote paper\u003cbr\u003eImage\/Sheet: 11 1\/8 x 13 1\/8 inches\u003cbr\u003eBon a Tirer (B.A.T.) impression, aside from Cirrus proofs, Artist's Proofs, Printer's Proofs, and the numbered edition of 79\u003cbr\u003ePublished by Cirrus Editions, Los Angeles\u003cbr\u003eSigned, titled, and inscribed B.A.T. in pencil, verso\u003cbr\u003eCirrus Editions blindstamp lower left; Cirrus work number 76C-PA72 in pencil, verso\u003c\/p\u003e\u003ch3\u003eAbout the Work\u003c\/h3\u003e\u003cp\u003e\u003cem\u003eAnacin I\u003c\/em\u003e reflects Alexander's fascination with perception, media imagery, light, and the transformation of ordinary visual experience into something atmospheric and transcendent. Like his celebrated cast-resin sculptures, the image appears suspended between reality and illusion, evoking the glow of a television screen, a fading memory, or a landscape viewed through layers of heat and light. Printed on Kromekote paper to maximize luminosity, the work exemplifies Alexander's lifelong exploration of color, transparency, and optical experience.\u003c\/p\u003e\u003ch3\u003eAbout the B.A.T. Impression\u003c\/h3\u003e\u003cp\u003eThe Bon a Tirer (B.A.T.) is the printer's master approval impression used as the benchmark against which the entire edition is judged. Retained by the artist and printer, B.A.T. impressions are substantially scarcer than standard numbered examples and are regarded by serious collectors as among the most desirable states of any print.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eFrom the personal collection of \u003cstrong\u003eJean Milant\u003c\/strong\u003e, founder of Cirrus Editions, Los Angeles - one of the most influential figures in contemporary American printmaking. Through Cirrus, Milant collaborated with many of the leading artists of the postwar era, helping establish Los Angeles as a major center for innovative print production.\u003c\/p\u003e\u003ch3\u003eLiterature\u003c\/h3\u003e\u003cp\u003eBruce Davis, \u003cem\u003eMade in L.A.: The Prints of Cirrus Editions\u003c\/em\u003e, Los Angeles County Museum of Art, 1995, p. 160, another example illustrated.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall very good condition with strong presentation. Full sheet, unframed. Minor fingerprints visible within portions of the black border under raking light and a soft handling mark along the upper black margin. These are subtle and do not detract from the visual impact of the work.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003ePeter Alexander (1939-2020) was a founding figure of the California Light and Space movement. His work is held in the permanent collections of MoMA (New York), LACMA, the Whitney Museum of American Art, SFMoMA, the National Gallery of Art, the Norton Simon Museum, and numerous other major institutions worldwide.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSimilar lithographs from the same series are also available. Inquiries welcome.\u003c\/em\u003e\u003c\/p\u003e","brand":"Peter Alexander","offers":[{"title":"Default Title","offer_id":53224339177839,"sku":"PA-ANACIN-I-1972-BAT","price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-26.jpg?v=1784399728"},{"product_id":"peter-alexander-anacin-ii-1972-b-a-t-impression","title":"Peter Alexander - Anacin II, 1972 (B.A.T. Impression)","description":"\u003ch2\u003ePeter Alexander (American, 1939-2020)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eAnacin II\u003c\/em\u003e, 1972\u003cbr\u003eFive-color lithograph printed in three runs from three aluminum plates on Kromekote paper\u003cbr\u003eImage\/Sheet: 11 1\/8 x 13 1\/8 inches\u003cbr\u003eBon a Tirer (B.A.T.) impression, aside from Cirrus proofs, Artist's Proofs, Printer's Proofs, and the numbered edition of 79\u003cbr\u003ePublished by Cirrus Editions, Los Angeles\u003cbr\u003eSigned, titled, and inscribed B.A.T. in pencil, verso\u003cbr\u003eCirrus Editions blindstamp lower left; Cirrus work number 79C-PA72 in pencil, verso\u003c\/p\u003e\u003ch3\u003eAbout the Work\u003c\/h3\u003e\u003cp\u003e\u003cem\u003eAnacin II\u003c\/em\u003e belongs to a small group of experimental lithographs that translate Alexander's fascination with perception, atmosphere, color, and mediated imagery into print form. The composition evokes the glow of an electronic screen while simultaneously suggesting a landscape dissolved by heat, distance, and memory — a visual ambiguity that became one of Alexander's defining artistic achievements. Printed on Kromekote paper to maximize luminosity, the work's reflective surface creates an effect closely related to the artist's celebrated cast-resin sculptures and environmental works.\u003c\/p\u003e\u003ch3\u003eAbout the B.A.T. Impression\u003c\/h3\u003e\u003cp\u003eThe Bon a Tirer (B.A.T.) is the master approval print reviewed and approved by both artist and printer before production of the numbered edition. Such impressions are substantially scarcer than standard edition examples and are highly sought after by advanced collectors of important postwar prints.\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eFrom the personal collection of \u003cstrong\u003eJean Milant\u003c\/strong\u003e, founder of Cirrus Editions, Los Angeles - one of the most influential publishers in contemporary American printmaking. Through Cirrus, Milant collaborated with many of the most important artists working in Southern California during the second half of the twentieth century.\u003c\/p\u003e\u003ch3\u003eLiterature\u003c\/h3\u003e\u003cp\u003eBruce Davis, \u003cem\u003eMade in L.A.: The Prints of Cirrus Editions\u003c\/em\u003e, Los Angeles County Museum of Art, 1995, p. 161, another example illustrated.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall excellent appearance. Full sheet. Unframed and loose as issued. No significant condition issues noted.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003ePeter Alexander (1939-2020) was a founding figure of the California Light and Space movement. His work resides in the collections of MoMA (New York), LACMA, the Whitney Museum of American Art, SFMoMA, the National Gallery of Art, the Norton Simon Museum, and numerous international museums.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eSimilar lithographs from the same series are also available. Inquiries welcome.\u003c\/em\u003e\u003c\/p\u003e","brand":"Peter Alexander","offers":[{"title":"Default Title","offer_id":53224339702127,"sku":"PA-ANACIN-II-1972-BAT","price":3950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-30.jpg?v=1784399843"},{"product_id":"ed-moses-moby-dick-2000","title":"Ed Moses - Moby Dick, 2000","description":"\u003ch2\u003eEd Moses (American, 1926-2018)\u003c\/h2\u003e\u003cp\u003e\u003cem\u003eMoby Dick\u003c\/em\u003e, 2000\u003cbr\u003eAcrylic on canvas\u003cbr\u003e66 x 54 1\/2 inches (167.6 x 138.4 cm)\u003cbr\u003eSigned, dated, titled, and inscribed on the reverse by the artist\u003c\/p\u003e\u003ch3\u003eAbout the Work\u003c\/h3\u003e\u003cp\u003eAn exceptional museum-scale original painting by one of the most influential figures in postwar California abstraction. Executed in 2000 during one of Moses' most celebrated mature periods, \u003cem\u003eMoby Dick\u003c\/em\u003e exemplifies his relentless pursuit of innovation and his refusal to repeat himself over a career spanning more than six decades.\u003c\/p\u003e\u003cp\u003eThe composition is a dramatic orchestration of sweeping black gestures, luminous white passages, translucent veils of paint, and vibrant bands of magenta, punctuated by flashes of turquoise and yellow. The energetic surface shifts between controlled structure and spontaneous movement, creating a painting that continually reveals new relationships with each viewing. Monumental in both scale and presence, \u003cem\u003eMoby Dick\u003c\/em\u003e possesses the visual authority expected of important contemporary museum works.\u003c\/p\u003e\u003cp\u003eUnlike the artist's editions and works on paper, this is a unique, one-of-a-kind original painting executed directly on canvas.\u003c\/p\u003e\u003ch3\u003eExhibition History\u003c\/h3\u003e\u003cp\u003eImago Galleries, Palm Desert, California\u003cbr\u003e\u003cem\u003eOh Ed and Bjork\u003c\/em\u003e\u003cbr\u003eDecember 2, 2000 - January 9, 2001\u003c\/p\u003e\u003cp\u003eRobert Green Fine Arts, Mill Valley, California\u003cbr\u003e\u003cem\u003eEd Moses\u003c\/em\u003e\u003cbr\u003eFebruary 3 - April 4, 2004\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003ePrivate Collection, Dallas.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eThe painting presents beautifully with exceptional color, surface quality, and visual impact. Remains on its original canvas and is ready for display. Please review all photographs carefully as they form an important part of the description. Additional high-resolution images available upon request.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003eEd Moses (1926-2018) was one of the defining painters of postwar Los Angeles and a founding member of the influential Ferus Gallery, alongside Ed Ruscha, Robert Irwin, Larry Bell, Billy Al Bengston, and Ken Price. Throughout his career, Moses became renowned for continually reinventing his artistic language, making each series distinct while maintaining an unmistakable vitality and originality.\u003c\/p\u003e\u003cp\u003eHis work is represented in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, LACMA, The Broad, SFMoMA, and the Solomon R. 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The composition reflects Albuquerque's enduring exploration of space, light, and cosmic mapping, core themes throughout her career.\u003c\/p\u003e\u003cp\u003eThis example is pencil signed, dated, and numbered 33\/60 in the lower margin. Albuquerque's print works translate her larger conceptual and environmental installations into intimate formats, often evoking celestial movement and the relationship between humanity and the cosmos.\u003c\/p\u003e\u003cp\u003eA refined and collectible work by an important contemporary artist, ideal for collectors of California art and Light and Space movement works.\u003c\/p\u003e\u003ch3\u003eArtwork Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Lita Albuquerque (b. 1946)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Trajectories\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1995\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Color lithograph on BFK Rives paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrinter:\u003c\/strong\u003e Cirrus Editions Ltd., Los Angeles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e 33\/60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Pencil signed, dated, and numbered\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSheet Size:\u003c\/strong\u003e 30 x 22 inches (76.2 x 55.9 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Size:\u003c\/strong\u003e 18 x 15 inches (45.7 x 38.1 cm)\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eGood overall condition. Minor handling wear may be present; overall clean with strong color and full margins.\u003c\/p\u003e\u003ch3\u003eAbout Lita Albuquerque\u003c\/h3\u003e\u003cp\u003eLita Albuquerque is one of the most significant artists associated with the California Light and Space movement. Born in 1946, she is celebrated for large-scale environmental installations, paintings, and works on paper that explore the relationship between humanity, light, and the cosmos. Her work has been exhibited internationally and is held in major museum and private collections worldwide.\u003c\/p\u003e","brand":"Lita Albuquerque","offers":[{"title":"Default Title","offer_id":53224400781679,"sku":null,"price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-25.png?v=1784407296"},{"product_id":"lita-albuquerque-ophio-del-una-ciela-2005","title":"Lita Albuquerque — Ophio Del Una Ciela, 2005","description":"\u003ch2\u003eLita Albuquerque — \u003cem\u003eOphio Del Una Ciela\u003c\/em\u003e, 2005\u003c\/h2\u003e\u003ch3\u003eSigned \u0026amp; Numbered Color Screenprint, Edition of 105\u003c\/h3\u003e\u003cp\u003eA visually striking and highly atmospheric screenprint by internationally recognized environmental artist Lita Albuquerque, whose work explores the intersection of landscape, cosmology, memory, and human consciousness.\u003c\/p\u003e\u003cp\u003eCreated in 2005, \u003cem\u003eOphio Del Una Ciela\u003c\/em\u003e presents a dreamlike celestial composition in luminous shades of blue, teal, and black. Sweeping organic forms drift across the image like cosmic currents or celestial pathways, while a field of scattered white marks evokes stars suspended within deep space. A faint circular line encloses the composition, reinforcing Albuquerque’s longstanding fascination with astronomy, mapping, and the human relationship to the universe.\u003c\/p\u003e\u003cp\u003eThe result is both meditative and monumental — an image that balances abstraction and landscape while reflecting Albuquerque’s internationally celebrated earthworks and sky-based installations.\u003c\/p\u003e\u003cp\u003ePrinted by the renowned Los Angeles workshop Self Help Graphics, this example is hand-signed and numbered by the artist.\u003c\/p\u003e\u003ch3\u003eArtwork Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Lita Albuquerque (American, b. 1946)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Ophio Del Una Ciela\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 2005\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Color screenprint\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e 72\/105\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Hand-signed and numbered in pencil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrinter \u0026amp; Publisher:\u003c\/strong\u003e Self Help Graphics, Los Angeles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlindstamp:\u003c\/strong\u003e Present lower left\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSheet Size:\u003c\/strong\u003e 28 x 36 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFraming:\u003c\/strong\u003e Unframed\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eVery good overall condition. A few soft handling creases visible under raking light. The image presents beautifully with strong color and excellent visual impact. Please review all photographs carefully as they form part of the description.\u003c\/p\u003e\u003ch3\u003eAbout Lita Albuquerque\u003c\/h3\u003e\u003cp\u003eLita Albuquerque is among the most important figures associated with the California Light and Space movement. Her work has been exhibited internationally and is represented in major collections including the Los Angeles County Museum of Art, Museum of Contemporary Art Los Angeles, Whitney Museum of American Art, and the Metropolitan Museum of Art. Her large-scale environmental installations have been realized across deserts, salt flats, and remote landscapes worldwide, earning her recognition as one of the leading contemporary artists working with concepts of space, time, and perception.\u003c\/p\u003e","brand":"Lita Albuquerque","offers":[{"title":"Default Title","offer_id":53224401371503,"sku":null,"price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-37.jpg?v=1784407432"},{"product_id":"lita-albuquerque-scarab-island-1990","title":"Lita Albuquerque — Scarab Island, 1990","description":"\u003ch2\u003eLita Albuquerque — \u003cem\u003eScarab Island\u003c\/em\u003e, 1990\u003c\/h2\u003e\u003ch3\u003eArtist’s Proof Color Lithograph, Framed\u003c\/h3\u003e\u003cp\u003eThis lithograph, \u003cem\u003eScarab Island\u003c\/em\u003e (1990), is by Lita Albuquerque (b. 1946), a seminal California-based artist whose career spans more than six decades and whose work is closely associated with post–Light and Space Movement explorations of time, perception, and the cosmos.\u003c\/p\u003e\u003cp\u003eExecuted as a lithograph in colors on wove paper, the present example is an artist’s proof (A.P.), aside from an edition of unknown size. The work is signed, dated, and numbered in pencil in the lower margin, “Lita Albuquerque ’90,” and bears an unidentified blindstamp in the lower right margin corner.\u003c\/p\u003e\u003cp\u003eThe composition demonstrates Albuquerque’s interest in spatial relationships and saturated color fields, translating ideas central to her pigment-based and installation practices into print form.\u003c\/p\u003e\u003ch3\u003eAbout the Artist\u003c\/h3\u003e\u003cp\u003eAlbuquerque was born in Santa Monica and raised in Tunisia and Paris before settling in Venice, California in the 1970s. Her return to California coincided with the aftermath of the Light and Space Movement, which emphasized the relationship between light, material, and perception. While not formally part of the movement, Albuquerque’s work engages similar concerns, expanding them to include cosmology, geological time, and humanity’s relationship to the universe. Her practice is particularly known for large-scale, site-specific installations created within the natural landscape, producing visual “maps” that can be read from above.\u003c\/p\u003e\u003ch3\u003eArtwork Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Lita Albuquerque (b. 1946)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Scarab Island\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1990\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Lithograph in colors on wove paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e Artist’s Proof (A.P.), aside from an edition of unknown size\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed, dated, and numbered in pencil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Size:\u003c\/strong\u003e 19½ x 18¾ inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSheet Size:\u003c\/strong\u003e 30 x 22 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFramed Size:\u003c\/strong\u003e 31¾ x 23¾ x 2 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFraming:\u003c\/strong\u003e Floated and hinged to back mat from verso, under Plexiglas\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall good appearance. Full margins with deckled edges. Soft handling marks primarily visible in the lower margin. The sheet is well-presented and floats cleanly within the frame.\u003c\/p\u003e","brand":"Lita Albuquerque","offers":[{"title":"Default Title","offer_id":53224401895791,"sku":null,"price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-42.jpg?v=1784407547"},{"product_id":"chuck-arnoldi-untitled-arcs-series-2016","title":"Chuck Arnoldi — Untitled (Arcs Series), 2016","description":"\u003ch2\u003eChuck Arnoldi — \u003cem\u003eUntitled (from the Arcs Series)\u003c\/em\u003e, 2016\u003c\/h2\u003e\u003ch3\u003eSigned \u0026amp; Numbered Color Polymergravure Print, Edition of 50\u003c\/h3\u003e\u003cp\u003eOffered here is a signed limited edition print by noted American abstract artist Charles Arnoldi, often known professionally as Chuck Arnoldi. Created in 2016, this work exemplifies Arnoldi’s distinctive exploration of rhythmic line, color, and geometric abstraction.\u003c\/p\u003e\u003cp\u003eArnoldi is widely recognized as an important figure in the postwar Southern California art scene. Emerging in the late 1960s and 1970s, his work became closely associated with the innovative artistic climate of Los Angeles, where artists experimented with new materials and forms. Arnoldi gained early attention for his sculptural works made from assembled sticks and branches, later expanding his practice into painting, printmaking, and large-scale public sculpture. His work is held in numerous major museum collections and reflects a long-standing interest in movement, structure, and the expressive potential of line.\u003c\/p\u003e\u003cp\u003eThis print is executed as a polymergravure with etching and photo-etching in colors on Somerset paper — a sophisticated printmaking process that allows for rich tonal depth and finely layered color. 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The piece is pencil signed, dated, and numbered “14\/25” in the lower margin and includes the Landfall Press blindstamp in the lower left, indicating its publication by the respected Chicago print studio.\u003c\/p\u003e\u003ch3\u003eArtwork Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Chuck Arnoldi (American, b. 1946)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Night Repair\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1983\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Lithograph in colors on wove paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e 14\/25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Pencil signed, dated, and numbered in margin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Landfall Press, Chicago (with blindstamp)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Size:\u003c\/strong\u003e Approximately 32¼ x 27 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFramed Size:\u003c\/strong\u003e Approximately 35 x 30½ x 2 inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFraming:\u003c\/strong\u003e Professionally framed\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall good condition. The work retains its crisp color and strong impression. 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The composition features interlocking forms and rhythmic movement, reflecting his long-standing exploration of structure, color, and space.\u003c\/p\u003e\u003cp\u003eThis lithograph was produced by the renowned Tamarind Institute, a highly respected print workshop known for its collaborations with major contemporary artists. The work bears the Tamarind chop mark, along with the printer’s chop mark on the verso. It was printed by Jill Graham under the supervision of Bill Lagattuta, with collaborating printer Kellie Hames.\u003c\/p\u003e\u003ch3\u003eArtwork Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e Charles “Chuck” Arnoldi (American, b. 1946)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTitle:\u003c\/strong\u003e Breaking\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Four-color lithograph on Somerset Satin paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e 13\/95\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignature:\u003c\/strong\u003e Pencil signed and dated lower right; titled and numbered lower left\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrinter:\u003c\/strong\u003e Tamarind Institute; printed by Jill Graham, supervised by Bill Lagattuta\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChop marks:\u003c\/strong\u003e Tamarind chop mark and printer’s chop mark on verso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSheet Size:\u003c\/strong\u003e 19¼ x 26½ inches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFraming:\u003c\/strong\u003e Unframed\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eVery good condition. Unframed, loose sheet with no damage or restoration.\u003c\/p\u003e","brand":"Chuck Arnoldi","offers":[{"title":"Default Title","offer_id":53224409891183,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-53.jpg?v=1784408104"},{"product_id":"huge-abstract-laddie-john-dill-wall-panel-72-in","title":"Huge Abstract Laddie John Dill Wall Panel - 72 in","description":"\u003ch2\u003eLaddie John Dill — Untitled Wall Panel\u003c\/h2\u003e\u003cp\u003eOffered here is a large-scale mixed media wall panel by \u003cstrong\u003eLaddie John Dill\u003c\/strong\u003e (b. 1943), a prominent California artist associated with the Light and Space movement.\u003c\/p\u003e\u003cp\u003eThis untitled work exemplifies Dill's distinctive approach, incorporating glass, concrete, wood, and mineral elements to create a richly textured surface. The composition reflects his ongoing exploration of material and light, where industrial and natural components interact to produce subtle shifts in tone, depth, and reflection depending on the viewer's perspective and surrounding illumination.\u003c\/p\u003e\u003cp\u003eDill's work is deeply rooted in the landscapes of the American West, often evoking geological formations and atmospheric conditions through restrained palettes and tactile surfaces. His wall-based works function as both paintings and sculptural objects, inviting close observation and physical engagement.\u003c\/p\u003e\u003cp\u003eWith its impressive scale and architectural presence, this piece makes a strong visual statement and is highly suitable for modern interiors or serious contemporary art collections.\u003c\/p\u003e\u003ch3\u003eDimensions\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHeight: 72.5 in\u003c\/li\u003e\n\u003cli\u003eWidth: 54.25 in\u003c\/li\u003e\n\u003cli\u003eDepth: 3 in\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eGeneral surface wear consistent with age and materials, including minor scuffs and abrasions. 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Working with cement, polymer, and wood, Dill constructs a dynamic surface that engages light and texture in the manner that has defined his reputation across five decades of practice.\u003c\/p\u003e\u003cp\u003eDill is celebrated for his pioneering use of industrial and unconventional materials to create works of quiet power and formal rigor. His sculptures and paintings occupy a unique position at the intersection of Minimalism, Light and Space, and West Coast Conceptualism. Works by Dill are held in the permanent collections of LACMA, MoMA, and other major institutions.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled\u003cbr\u003eDate: 1977\u003cbr\u003eMedium: Cement, polymer, and wood\u003cbr\u003eDimensions: 32 in H × 24 in W\u003cbr\u003eSigned and dated verso\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eExcellent vintage condition.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225799188847,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-96.png?v=1784501166"},{"product_id":"laddie-john-dill-untitled-concrete-glass-pigments-wood","title":"Laddie John Dill – Untitled. 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Works by Dill are held in the permanent collections of LACMA, MoMA, and other major institutions.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled\u003cbr\u003eMedium: Concrete, glass, pigments, and wood panel\u003cbr\u003eDimensions: 29½ × 48 in\u003cbr\u003eUnsigned\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eExcellent overall condition with strong presentation. No major losses or damage noted.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225804333423,"sku":null,"price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-181.jpg?v=1784501439"},{"product_id":"laddie-john-dill-untitled-1984-oil-painting-de-young","title":"Laddie John Dill – Untitled, 1984. Oil on Canvas, Ex Fine Arts Museums of San Francisco","description":"\u003cp\u003eAn important and uncommon early painting by Laddie John Dill (American, b. 1943), created in 1984 and deaccessioned from the Fine Arts Museums of San Francisco, M.H. de Young Memorial Museum. Unlike the textured concrete-and-glass works for which Dill later became widely known, this piece represents a significantly rarer body of work: an atmospheric oil painting on canvas mounted to board.\u003c\/p\u003e\u003cp\u003eThe composition reveals Dill’s deep engagement with surface, light, and spatial perception during a formative period in his career closely associated with the California Light and Space movement. Executed in oil on canvas mounted to plywood, the work possesses a restrained yet luminous materiality, with layered tonal variation and subtle gestural movement across the surface. The horizontal format and meditative abstraction strongly connect to Dill’s enduring exploration of landscape, atmosphere, and elemental experience.\u003c\/p\u003e\u003cp\u003eWorks with direct museum provenance are increasingly desirable among collectors, and pieces originating from the de Young Museum carry exceptional institutional significance. A sophisticated and historically important example of Dill’s early painted work — far less common than his later mixed media constructions.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled\u003cbr\u003eDate: 1984\u003cbr\u003eMedium: Oil on canvas mounted on plywood board\u003cbr\u003eBoard size: 23½ × 48 in\u003cbr\u003eFramed size: 24¼ × 48¾ in\u003cbr\u003eFramed\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eProperty of the Fine Arts Museums of San Francisco, M.H. de Young Memorial Museum.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eVery good overall condition with strong presentation. Minor age-related wear consistent with handling and age. Displays exceptionally well.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225806168431,"sku":null,"price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-192.jpg?v=1784502485"},{"product_id":"laddie-john-dill-untitled-diptych-mixed-media","title":"Laddie John Dill – Untitled Diptych. Mixed Media on Board (Wood, Concrete, Glass, Minerals)","description":"\u003cp\u003eAn exceptional mixed media diptych by acclaimed California artist Laddie John Dill (b. 1943), comprising two separate panels that together exemplify his long-standing exploration of material, surface, and light — central to his role in the Light and Space movement that emerged in Southern California during the 1960s and 1970s.\u003c\/p\u003e\u003cp\u003eEach panel is constructed using wood, concrete, glass, and mineral elements assembled on board, creating richly textured surfaces that subtly shift in response to changing light and viewpoint. The restrained palette and industrial materials are characteristic of Dill’s practice, encouraging close, physical engagement with the work. Suitable for display as a unified diptych or with spacing to emphasize the individuality of each panel.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled\u003cbr\u003eMedium: Mixed media on board (wood, concrete, glass, minerals)\u003cbr\u003eFormat: Diptych (2 panels)\u003cbr\u003eDimensions: Each panel approx. 24 in H × 12 in W\u003cbr\u003eUnsigned\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall good appearance. Light dust accumulation and minor surface grime present. The resin shows slight yellowing along some extreme edges, consistent with age and materials used.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225807118703,"sku":null,"price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-189_1b3800d2-f530-4c00-904f-3278fee849ca.jpg?v=1784502379"},{"product_id":"laddie-john-dill-untitled-2008-cement-acrylic-paper","title":"Laddie John Dill – Untitled, 2008. Pigmented Cement and Acrylic on Handmade Paper","description":"\u003cp\u003eAn original mixed media work by Laddie John Dill (American, b. 1943), created in 2008. Executed in pigmented thinned cement and acrylic on handmade paper, this composition showcases Dill’s distinctive use of raw, elemental materials. The surface carries a natural, almost geological quality, with tonal variation and subtle layering that responds to ambient light.\u003c\/p\u003e\u003cp\u003eWhile Dill is widely recognized for his large-scale panel works, pieces on paper such as this offer a more immediate view into his process — where material, gesture, and surface converge. The work retains the same conceptual foundation found in his larger installations, emphasizing the physical and perceptual qualities of its medium. Signed and dated 2008 lower left.\u003c\/p\u003e\u003cp\u003eAn elegant and understated work by a key figure of the Light and Space movement. A companion piece from the same 2008 series is also available — see separate listing.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled\u003cbr\u003eDate: 2008\u003cbr\u003eMedium: Pigmented cement and acrylic on handmade paper\u003cbr\u003eDimensions: 18½ × 24 in (47 × 61 cm)\u003cbr\u003eSigned and dated lower left\u003cbr\u003eUnframed\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eMinor handling wear consistent with medium. Overall very good condition.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225808429423,"sku":null,"price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-100.png?v=1784502711"},{"product_id":"laddie-john-dill-untitled-2008-cement-acrylic-paper-ii","title":"Laddie John Dill – Untitled, 2008. Pigmented Cement and Acrylic on Handmade Paper (II)","description":"\u003cp\u003eAn original mixed media work by Laddie John Dill (American, b. 1943), created in 2008. Executed in pigmented thinned cement and acrylic on handmade paper, this composition showcases Dill’s distinctive use of raw, elemental materials. The surface carries a natural, almost geological quality, with tonal variation and subtle layering that responds to ambient light.\u003c\/p\u003e\u003cp\u003eWhile Dill is widely recognized for his large-scale panel works, pieces on paper such as this offer a more immediate view into his process — where material, gesture, and surface converge. The work retains the same conceptual foundation found in his larger installations, emphasizing the physical and perceptual qualities of its medium. Signed and dated 2008 lower right.\u003c\/p\u003e\u003cp\u003eAn elegant and understated work by a key figure of the Light and Space movement. A companion piece from the same 2008 series is also available — see separate listing.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled\u003cbr\u003eDate: 2008\u003cbr\u003eMedium: Pigmented cement and acrylic on handmade paper\u003cbr\u003eDimensions: 18½ × 24 in (47 × 61 cm)\u003cbr\u003eSigned and dated lower right\u003cbr\u003eUnframed\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eMinor handling wear consistent with medium. Overall very good condition.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225809346927,"sku":null,"price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-103.png?v=1784502851"},{"product_id":"laddie-john-dill-untitled-bird-wall-sculpture","title":"Laddie John Dill – Untitled “Bird” Wall Sculpture. Mixed Media (Wood, Glass, Concrete)","description":"\u003cp\u003eA substantial original mixed media wall sculpture by Laddie John Dill (American, b. 1943), a leading figure in the Light and Space movement that emerged in Southern California during the 1960s and 1970s. Part of Dill’s distinctive “bird” wall sculpture series, this large-scale work features plywood, glass, concrete, and other industrial materials assembled into a dynamic, abstract avian form.\u003c\/p\u003e\u003cp\u003eThis piece was acquired directly from the artist and hung in an Orange County estate — a provenance that speaks to its quality and authenticity. Dill’s work is recognized internationally for its innovative use of material, light, and space. A native of Southern California and graduate of the Chouinard Art Institute (now CalArts), his work is held in the permanent collections of LACMA, MoMA, and the Smithsonian, among others.\u003c\/p\u003e\u003cp\u003eDue to the size and weight of this piece, please inquire for a shipping quote and to discuss delivery options. For buyers in Southern California, professional installation can be arranged through a craftsman who has worked with Dill for over 30 years.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled (“Bird”)\u003cbr\u003eMedium: Mixed media — wood, glass, concrete, and other elements\u003cbr\u003eDimensions: Approx. 64 in W × 54 in H × up to 5 in D\u003cbr\u003eEstimated weight: 60–70+ lbs\u003cbr\u003eUnsigned\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eAcquired directly from the artist; Orange County Private Estate.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eExcellent vintage condition.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225817375087,"sku":null,"price":9000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-106_b4db6deb-c185-4f3e-b67c-478d66f7e9ea.png?v=1784503080"},{"product_id":"laddie-john-dill-untitled-bird-wall-sculpture-triptych","title":"Laddie John Dill – Untitled “Bird” Wall Sculpture, Triptych. Concrete, Glass, and Wood","description":"\u003cp\u003eA powerful and elegant large-scale wall sculpture by Laddie John Dill (American, b. 1943), composed of three separate panels in concrete, glass, and wood. From Dill’s signature “bird” series, this triptych exemplifies the sweeping forms and interplay of industrial materials that have defined his sculptural practice across five decades. Though unsigned, the work is clearly attributable to Dill and represents an excellent example of his mature sculptural language.\u003c\/p\u003e\u003cp\u003eDill is a foundational figure in the California Light and Space and Finish Fetish movements. His innovative use of concrete, glass, aluminum, and other elemental materials is held in the permanent collections of LACMA, MOCA, and the Smithsonian, among others. With its strong horizontal form and material elegance, this sculpture is a rare opportunity to acquire a major work from a master of postwar California art.\u003c\/p\u003e\u003cp\u003eDue to the size and weight of this piece, please inquire for a shipping quote and to discuss delivery options. For buyers in Southern California, professional installation can be arranged through a technician who has worked with Dill for over 30 years.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled (“Bird”)\u003cbr\u003eMedium: Concrete, glass, and wood\u003cbr\u003eFormat: Triptych (three separate panels)\u003cbr\u003eDimensions: 48 in H × 73 in W × 5 in D (121.9 × 185.4 × 12.7 cm)\u003cbr\u003eUnsigned\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003ePrivate Collection, Los Angeles, California.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eOverall excellent. One panel has a small crack in the glass that does not compromise the structure or aesthetic. Otherwise clean, stable, and well-preserved.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53225822749039,"sku":null,"price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-111_e171ee21-e862-42ab-a3b5-3dcdd1444ad4.png?v=1784503241"},{"product_id":"laddie-john-dill-abstract-aluminum-panel-2008","title":"Laddie John Dill – Abstract Composition, 2008. Textured Aviation Aluminum Panel","description":"\u003cp\u003eAn exceptional wall-mounted aluminum work by Laddie John Dill (American, b. 1943), a pioneering figure of the California Light and Space movement. Created in 2008, this abstract composition is executed in textured aviation-grade aluminum, a material central to Dill’s exploration of light, surface, and perception. The panel’s industrial materiality interacts dynamically with ambient light, subtly shifting in tone and reflectivity depending on viewing angle and environment — a hallmark of Dill’s practice.\u003c\/p\u003e\u003cp\u003eDill emerged in Southern California in the 1960s alongside artists such as James Turrell and Robert Irwin, developing work that emphasizes atmosphere, illumination, and material presence. His aluminum works, including his well-known “Light Catcher” and “Light Trap” series, are held in prominent public and private collections. This piece presents a refined architectural presence, making it equally suitable for contemporary interiors or serious art collections.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Abstract Composition\u003cbr\u003eDate: 2008\u003cbr\u003eMedium: Textured aviation aluminum panel\u003cbr\u003eDimensions: 30 × 54 in (76 × 137 cm)\u003cbr\u003eOrientation: Horizontal wall panel\u003cbr\u003eSigned and dated to reverse\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53226549150063,"sku":null,"price":15000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-120_3fc9a15c-ae47-406e-9bd1-98b200dc1526.png?v=1784535287"},{"product_id":"laddie-john-dill-untitled-bird-wall-sculpture-glass-metal","title":"Laddie John Dill – Untitled “Bird” Wall Sculpture. Mixed Media (Wood, Glass, Minerals, Metal)","description":"\u003cp\u003eAn original mixed media wall sculpture by Laddie John Dill (American, b. 1943), a leading figure in the Light and Space movement that emerged in Southern California during the 1960s and 1970s. This smaller yet striking work combines wood, glass, minerals, and metal into a dynamic, abstract form reminiscent of Dill’s signature wall sculptures.\u003c\/p\u003e\u003cp\u003eThe piece was previously hung in a private estate and was purchased directly from the artist, making it a rare and collectible example of his work in mixed media. Dill is internationally recognized for his innovative use of material, light, and spatial exploration. A native of Southern California and graduate of the Chouinard Art Institute (now CalArts), his work is held in the permanent collections of LACMA, MoMA, and the Smithsonian, among others.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Laddie John Dill (American, b. 1943)\u003cbr\u003eTitle: Untitled (“Bird”)\u003cbr\u003eMedium: Mixed media — wood, glass, minerals, metal\u003cbr\u003eDimensions: 18 in W × 22 in H × 1½ in D\u003cbr\u003eUnsigned\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eAcquired directly from the artist; Private Estate.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eExcellent vintage condition.\u003c\/p\u003e","brand":"Laddie John Dill","offers":[{"title":"Default Title","offer_id":53226550198639,"sku":null,"price":4750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-122.png?v=1784535447"},{"product_id":"ed-moses-red-dots-1997-color-etching","title":"Ed Moses – Red Dots, 1997. Signed \u0026 Numbered Color Etching, Edition 16\/18","description":"\u003cp\u003eA striking late-career print by acclaimed California abstractionist Ed Moses (1926–2018), one of the most influential figures associated with the postwar Los Angeles art scene. Created in 1997, \u003cem\u003eRed Dots\u003c\/em\u003e exemplifies Moses’ lifelong exploration of process, chance, and visual perception. Against a deep black field, a luminous, galaxy-like form drifts diagonally across the composition, punctuated by vivid red circular forms that appear to float in space — both cosmic and meditative, rewarding extended viewing.\u003c\/p\u003e\u003cp\u003eThe contrast between the velvety dark ground and the brilliant red dots creates a powerful visual tension, while the ethereal central form evokes astronomical photography, microscopic imagery, or natural phenomena suspended in motion. Works from this period are increasingly sought after by collectors of postwar and contemporary California art. This example comes from an exceptionally small edition of only 18 impressions.\u003c\/p\u003e\u003cp\u003eEd Moses was a central member of the legendary Ferus Gallery circle in Los Angeles alongside Robert Irwin, Larry Bell, Billy Al Bengston, Ken Price, and Ed Ruscha. His work is held in the permanent collections of MoMA, the Whitney, LACMA, SFMOMA, and the Guggenheim.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Ed Moses (Edward Branco Moses, 1926–2018)\u003cbr\u003eTitle: Red Dots\u003cbr\u003eDate: 1997\u003cbr\u003eMedium: Color etching on paper\u003cbr\u003eEdition: 16\/18\u003cbr\u003ePlate size: 23½ × 17½ in\u003cbr\u003eFrame size: 34¼ × 27¼ in\u003cbr\u003eSigned, dated, and numbered in pencil\u003cbr\u003eProfessionally framed under plexiglass\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eVery good overall. A few soft handling creases visible within the margins; the image presents beautifully. Framed and ready for display. Please review all photographs carefully as they form part of the description.\u003c\/p\u003e","brand":"Ed Moses","offers":[{"title":"Default Title","offer_id":53226551574895,"sku":null,"price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-196.jpg?v=1784535715"},{"product_id":"joe-goode-rainy-season-78-no-3-1978-lithograph","title":"Joe Goode – Rainy Season 78 No. 3, 1978. Signed \u0026 Numbered Cirrus Editions Lithograph with Razor Blade Manipulation, Ed. 26\/30","description":"\u003cp\u003eA striking and highly collectible work by acclaimed California artist Joe Goode (American, b. 1937), a pioneering figure of the Los Angeles art scene and a contemporary of Ed Ruscha, Larry Bell, and Robert Irwin.\u003c\/p\u003e\u003cp\u003eTitled \u003cem\u003eRainy Season 78 No. 3\u003c\/em\u003e, this 1978 color lithograph is far more than a traditional print. Each impression was individually altered by Goode using a razor blade, creating subtle physical interventions within the image and making every example unique. This hand-worked element distinguishes the edition from conventional lithographs and reflects Goode’s longstanding exploration of atmosphere, perception, weather, and illusion. Produced and published by the legendary Cirrus Editions in Los Angeles, one of the most important print workshops in postwar American art.\u003c\/p\u003e\u003cp\u003eJoe Goode is widely recognized as one of the most important artists to emerge from Southern California in the postwar era. His work is represented in major museum collections including the Whitney Museum of American Art, LACMA, The Broad, and the Smithsonian American Art Museum. His celebrated “Rain” paintings and prints are among his most recognizable works, combining minimalist imagery with atmospheric effects that blur the boundary between representation and abstraction.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Joe Goode (American, b. 1937)\u003cbr\u003eTitle: Rainy Season 78 No. 3\u003cbr\u003eDate: 1978\u003cbr\u003eMedium: Color lithograph with razor blade manipulation by the artist\u003cbr\u003eEdition: 26\/30\u003cbr\u003eSheet size: 17½ × 14½ in\u003cbr\u003eSigned and numbered in pencil\u003cbr\u003ePrinted and published by Cirrus Editions, Los Angeles\u003cbr\u003eCirrus stamp verso\u003c\/p\u003e\u003ch3\u003eProvenance\u003c\/h3\u003e\u003cp\u003eAcquired from a respected California auction house; Private Collection.\u003c\/p\u003e\u003ch3\u003eCondition\u003c\/h3\u003e\u003cp\u003eVery good vintage condition. Please review all photographs carefully as they form part of the description.\u003c\/p\u003e","brand":"Joe Goode","offers":[{"title":"Default Title","offer_id":53226552656239,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-199.jpg?v=1784535914"},{"product_id":"guy-dill-untitled-stainless-steel-wall-sculpture-1997","title":"Guy Dill – Untitled, 1997. Stainless Steel Wall Sculpture on Wood","description":"\u003cp\u003eAn untitled wall sculpture by Guy Girard Dill (American, b. 1946), created in 1997. Crafted from stainless steel and mounted on a wood base, the piece is signed and dated lower right. Dill is renowned for his dynamic, abstract metal sculptures that explore form, motion, and spatial tension. This work exemplifies his signature aesthetic, combining precision engineering with expressive abstraction — a striking statement for collectors of contemporary sculpture.\u003c\/p\u003e\u003ch3\u003eDetails\u003c\/h3\u003e\u003cp\u003eArtist: Guy Dill (American, b. 1946)\u003cbr\u003eTitle: Untitled\u003cbr\u003eDate: 1997\u003cbr\u003eMedium: Stainless steel on wood base\u003cbr\u003eDimensions: 22 in H × 22 in W × 3¾ in D\u003cbr\u003eSigned and dated lower right\u003c\/p\u003e","brand":"Guy Dill","offers":[{"title":"Default Title","offer_id":53226555081071,"sku":null,"price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/6967\/5375\/files\/s-l1600-128.png?v=1784536533"}],"url":"https:\/\/www.lybrothersfineart.com\/collections\/art.oembed?page=2","provider":"L\/Y Brothers","version":"1.0","type":"link"}